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Indiana University Bloomington

Black Film Center/Archive College of Arts and Sciences
collage

Collection

Books Alphabetized by Author


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Other

A


Acham, Christine. Revolution Televised: Prime Time and the Struggle for Black Power. Minneapolis, MN: University of Minnesota Press, 2004. [Call number: PN1992.8 .A34 A28 2004]

Aftab, Kaleem. Spike Lee: That's My Story and I'm Sticking to It, 1st American edition. New York, NY: W. W. Norton, 2005. Donated by Michael T. Martin. [Call number: PN1998.3.L44 A68 2005]

Agee, James. Agee on Film: Volume One. New York, NY: Grosset & Dunlap, 1969. [Call number: PN1993.5 .A1 A2 1969]

Alexander, George. Why We Make Movies: Black Filmmakers Talk about the Magic of Cinema. New York, NY: Harlem Moon, 2003. Donated by the author in 2003. [Call number: PN1995.9 .N4 A43 2003]

Anderson, Lisa M.Mammies No More: The Changing Image of Black Women on Stage and Screen. Lanham, MD: Rowman & Littlefield, 1997. Donated by Michael T. Martin. [Call number: PS338 .W6]

Andrews, Tina. Sally Hemings, an American Scandal: The Struggle to Tell the Controversial True Story. New York, NY: Malibu Press, 2001. Donated and inscribed by the author (probably during Nov. 2000 visit). Top of back cover has large dent and tear. [Call number: PN1992.77 .S2722 2001]

Antonio, Sheril D. Contemporary African American Cinema. New York, NY: Peter Lang, 2002. [Call number: PN1995.9 .N4 A58 2002]

Armes, Roy. African Filmmaking: North and South of the Sahara. Bloomington, IN: Indiana University Press, 2006. [Call number: PN1993.5 .A35 A74 2006]

Armes, Roy. Dictionary of African Filmmakers. Bloomington, IN: Indiana University Press, 2008. [Call number: PN1998.2 .A758 2008]

Armes, Roy. Postcolonial Images: Studies in North African Film. Bloomington, IN: Indiana University Press, 2005. [Call number: PN1993.5 .A35 A72 2005]

Armes, Roy. Third World Film Making and the West. Berkeley, CA: University of California Press, 1987. Donated by Michael T. Martin. [Call number: PN1993.5 .D44 A76 1987]

Asava, Zélie. The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television. New York, NY: Peter Lang, [2013]. [Call number: PN1993.5.I85 A85 2013]

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B


Baatz, Wilmer H. Afro-American Drama: A Bibliography of Selected Plays in the Indiana University, Bloomington, Libraries. Bloomington, IN: Afro-American Arts Institute, Indiana University, 1982. [Call number: Z5784.B56 I5 1982]

Baatz, Wilmer H., compiler. Dictionary Catalog of Afro-American Holdings in Microform Formats. Bloomington, IN: Indiana University Libraries, 1983. [Call number: E185 .Z99 1983]

Bagdikian, Ben H., et al. with Daly, Charles U., ed. The Media and the Cities. Chicago, IL: University of Chicago, Center for Policy Study, 1968. Donated by Michael T. Martin. [Call number: P92.U5 M4]

Bailey, J. Edward. Living Legends in Black. Detroit, MI: Bailey Publishing Company, 1976. [Call number: E185 .B22 1976]

Bailey, Pearl. The Raw Pearl. New York, NY: Harcourt, Brace & World, Inc., 1968. Inscribed by the author to Phyllis Klotman. [Call number: ML420.B123 A3]

Baldwin, Lewis V. and Aprille V. Woodson. Freedom Is Never Free: A Biographical Portrait of Edgar Daniel Nixon. Nashville, TN: Office of Minority affairs, Tenn. General Assembly, 1992. Donated by Aprille Woodson. [Call number: E185.97 .N59 B34 1992]

Barboza, Craigh, ed. John Singleton: Interviews. Jackson: University Press of Mississippi, 2009. Donated by Michael T. Martin. [Call number: PN1998.3.S539 A3 2009]

Barlet, Olivier. African Cinemas: Decolonizing the Gaze. New York, NY: Zed Books, 2000. [Call number: PN1993.5 .A35 B3713 2000]

Batiste, Stephanie Leigh. Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. Durham, NC: Duke University Press Books, 2012. [Call number: E185.625 .B375 2011]

Bazin, André and translated by Hugh Gray. What Is Cinema? Vol. II. Berkeley, CA: University of California Press, 1971. [Call number: PN1994 .B28 1971]

Bean, Annemarie, James V. Hatch, and Brooks McNamara, eds. Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Hanover, NH: University Press of New England [for] Wesleyan University Press, 1996. Donated by Michael T. Martin. [Call number: PN3195 .I58 1996]

Bellone, Julius. Renaissance of the Film. New York, NY: Collier Books, 1970. [Call number: PN1993.5 .A1 B44]

Bender, Benjamin. Glimpses: Through Holocaust and Liberation. Berkeley, CA: North Atlantic Books, 1995. The reason we have this is because the author appears in Liberators: Fighting on Two Fronts in World War II (1992) by William Miles. [Call number: DS135.P62 C86497 1995]

Bergman, Carol. Sidney Poitier. New York, NY: Chelsea House Publishers, 1988. [Call number: PN2287.P5 7B47 1988]

Bernardi, Daniel, ed. Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film. Austin, TX: University of Texas Press, 2009. [Call number: PN1995.9.S62 F55 2009]

Bernotas, Bob. Spike Lee: Filmmaker. Hillside, N.J.: Enslow Publishers, 1993. Donated by Michael T. Martin. [Call number: PN1998.3.L44 B47 1993]

Berry, Torriano. Tears: Trilogy. Birth-age 6, 2nd edition. Belize City, Belize: Identity Publishing, 2010. Source of donation unknown; possibly Berry. [Call number: PR9280.9.B47, v. 1]

Berry, Torriano. Tears: Trilogy 2. Age 9-age 12. Belize City, Belize: Identity Publishing, 2012. Source of donation unknown; possibly Berry. [Call number: PR9280.9.B47, v. 2]

Berry, Torriano. Tears: Trilogy 3. Age 15-age 18. Belize City, Belize: Identity Publishing, 2010. Source of donation unknown; possibly Berry. [Call number: PR9280.9.B47, v. 3]

Berry, S. Torriano and Venise T. Berry. The 50 Most Influential Black Films: A Celebration of African-American Talent, Determination, and Creativity. New York, NY: Citadel Press, 2001. Donated and inscribed by S. Torriano Berry. [Call number: PN1995.9 .N4 B43 2001]

Berry, S. Torriano and Venise T. Berry. Historical Dictionary of African American Cinema. Lanham, MD: Scarecrow Press, 2007. [Call number: PN1995.9 .N4 B433 2007]

Biró, Yvette and translated by Imre Goldstein. Profane Mythology: The Savage Mind of the Cinema. Bloomington, IN: Indiana University Press, 1982. [Call number: PN1995 .B478]

Blue, Carroll Parrott. The Dawn at My Back: A Memoir of a Black Texas Upbringing. Austin, TX: University of Texas Press, 2003. [Call number: TR140.B385 A3 2003]

Boafo, S. T. Kwame, ed. Communication and Culture: African Perspectives. Nairobi, Kenya: Africa Church Information Service, 1989. Donated by Michael T. Martin. [Call number: P92.A4 C66]

Bobo, Jacqueline. Black Women Film and Video Artists. New York, NY: Routledge, 1998. [Call number: PN1998.2 .B57 1998]

Bogle, Donald. Blacks in American Films and Television: An Encyclopedia. New York, NY: Garland Publishing, Inc., 1988. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 B58 1988]

Bogle, Donald. Bright Boulevards, Bold Dreams: The Story of Black Hollywood. New York, NY: Ballantine Books, 2006. [Call number: PN1995.9 .N4 B59 2005]

Bogle, Donald. Dorothy Dandridge: A Biography. New York, NY: Amistad, 1997. [Call number: PN2287 .D256864 1997]

Bogle, Donald. Prime Time Blues: African Americans on Network Television. New York, NY: Farrar, Straus, and Giroux, 2001. Donated by Michael T. Martin. [Call number: PN1992.8.A34 B64 2001]

Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films, 3rd edition. New York, NY: Continuum, 1994. [Call number: PN1995.9 .N4 B6 1994]

Bontemps, Arna Alexander. Forever Free: Art by African-American Women, 1862-1980. Alexandria, VA: Stephenson, 1980. [Call number: N6538.N5 F67]

Bourgault, Louise Manon. Mass Media in Sub-Saharan Africa. Bloomington, IN: Indiana University Press, 1995. Donated by Michael T. Martin. [Call number: P92.A46 B68 1995]

Bourne, Stephen. Black in the British Frame: The Black Experience in British Film and Television. New York, NY: Continuum, 2001. [Call number: PN1995.9.N4 B68 2001]

Bourne, Stephen. Butterfly McQueen Remembered. Lanham, MD: Scarecrow Press, 2008. [Call number: PN2287 .M5468]

Bourne, Stephen. Ethel Waters: Stormy Weather. Lanham, MD: Scarecrow Press, 2007. [Call number: ML420 .W24 B68 2007]

Bowles, John P. Adrian Piper: Race, Gender, and Embodiment. Durham, NC: Duke University Press Books, 2011. [Call number: N6537.P5 B69 2011]

Bowser, Pearl and Louise Spence. Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences. New Brunswick, NJ: Rutgers University Press, 2000. [Call number: PN1998.3 .M494 B69 2001]

Bowser, Pearl, Jane Gaines, and Charles Musser, eds. and curators. Oscar Micheaux and his Circle: African-American Filmmaking and Race Cinema of the Silent Era. Bloomington, IN: Indiana University Press, 2001. Donated by Michael T. Martin. [Call number: PN1998.3 .M494 O83 2001]

Boyd, Todd. Am I Black Enough for You?: Popular Culture from the 'Hood and Beyond. Bloomington, IN: Indiana University, 1997. Donated by Michael T. Martin. [Call number: E169.O4 .B67 1997]

Braun, Annette and Bongi Dhlomo-Mautloa, eds. Soweto: ein südafrikanischer Mythos = Soweto: A South African Legend. Stuttgart: Arnoldsche, 2001. Donated by Michael T. Martin. [Call number: DT2405.S68 S69 2001]

Broce, Thomas E. Fund Raising: The Guide to Raising Money from Private Sources, 2nd edition. Norman, OK: University of Oklahoma Press, 1986. [Call number: HG177 .B76 1986]

Brockes, Emma. What Would Barbra Do?: How Musicals Changed My Life. New York, NY: Harper Collins Publishers, 2007. [Call number: ML2054 .B76 2007]

Brody, Jennifer DeVere. Impossible Purities: Blackness, Feminity, and Victorian Culture. Durham, NC: Duke University Press, 1998. [Call number: PR468.B53 B76 1998]

Brown, Les and Savannah Waring Walker. Fast Forward: The New Television and American Society: Essays from Channels of Communications. Kansas City, KN: Andrews and McMeel, 1983. [Call number: PN1992.6 .F3 1983]

Brownlee, Andrea Barnwell and Valerie Cassel Oliver. Cinema Remixed & Reloaded: Black Women Artists and the Moving Image since 1970. Houston, TX: Contemporary Arts Museum, 2008. [Call number: N6494.V53 B76 2008]

Brownlow, Kevin. The Parade's Gone By, 2nd edition. New York, NY: Ballantine Books, 1970. [Call number: PN1993.5 .U6]

Bryant, Tisa. Unexplained Presence. Providence, R.I.: Leon Works, 2007. [Call number: PN56.3 .B55]

Burke, William Lee. The Presentation of the American Negro in Hollywood Films, 1946-1961: Analysis of a Selected Sample of Feature Films. Evanston, IL: Northwestern University, 1965. [Call number: PN1995.9 .N3 B95 1965]

Burt, Eugene C. An Annotated Bibliography of the Visual Arts of East Africa. Bloomington, IN: Indiana University Press, 1980. [Call number: Z5961.A38 B87 1980]

Butters, Jr., Gerald R.Black Manhood on the Silent Screen. Lawrence: University Press of Kansas, 2002. Donated by Michael T. Martin. [Call number: PN1995.9 .N4]

Butters, Jr., Gerald R.From Sweetback to Super Fly: Race and Film Audiences in Chicago's Loop. Columbia: University of Missouri Press, [2015]. [Call number: PN1993.5.U74 B88 2015]

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C


Caddoo, Cara. Envisioning Freedom: Cinema and the Building of Modern Black Life. Cambridge, MA: Harvard University Press, 2014. [Call number: PN1995.9.N4 C33 2014]

Cameron, Kenneth M. Africa on Film: Beyond Black and White. New York, NY: Continuum, 1994. Donated by Michael T. Martin. [Call number: PN1995.9 .A43 C36 1994]

Campbell, Jr., Edward D. C. The Celluloid South: Hollywood and the Southern Myth. Knoxville, TN: University of Tennessee Press, 1981. Donated by Michael T. Martin. [Call number: PN1995.9.S66 C3]

Carson, Diane, Linda Dittmar, and Janice R. Welsch. Multiple Voices in Feminist Film Criticism. Minneapolis, MN: University of Minnesota Press, 1994. [Call number: PN1995.9 .W6 M82 1994]

Carter, Gwendolen Margaret and Patrick O'Meara, Patrick. African Independence: The First Twenty-Five Years. Bloomington, IN: Indiana University Press, 1985. [Call number: DT30.5 .A356 1985]

Carter, Gwendolen Margaret and Patrick O'Meara, Patrick. Southern Africa in Crisis. Bloomington, IN: Indiana University Press, 1977. [Call number: DT746 .S58 1977]

Carter, Gwendolen Margaret and Patrick O'Meara, Patrick. Southern Africa: The Continuing Crisis. Bloomington, IN: Indiana University Press, 1979. Inscribed to Herman B Wells by Gwen Carter, September 1979 on title page. No dust jacket. [Call number: DT746 .S63 1979]

Carter, Gwendolen Margaret and Patrick O'Meara, Patrick. Southern Africa: The Continuing Crisis, 2nd edition. Bloomington, IN: Indiana University Press, 1982. [Call number: DT746 .S63 1982]

Castleman, Harry and Walter J. Podrazik. Watching TV: Four Decades of American Television. New York, NY: McGraw-Hill, 1982. [Call number: PN1992.3 .U5 C3 1982]

Cham, Mbye B., ed. Ex-iles: Essays on Caribbean Cinema, 1st printing Trenton, NJ: Africa World Press, 1992. Donated by Michael T. Martin. [Call number: PN1993.5 .C27 E95 1992]

Cham, Mbye B. and Claire Andrade-Watkins. Blackframes: Critical Perspectives on Black Independent Cinema. Cambridge, MA: MIT Press, 1988. [Call number: PN1995.9 .N4 B568 1988]

Charles, Michael Ray. Michael Ray Charles, 1989-1997: An American Artist's Work. Houston, TX: Blaffer Gallery, the Art Museum of the University of Houston, 1997. [Call number: NC999.4 .C43 A4 1997]

Charry, Eric, ed. Hip Hop Africa: New African Music in a Globalizing World. Bloomington, IN: Indiana University Press, 2012. [Call number: ML3531 .H565 2012]

Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. New York, NY: Oxford University Press, 2011. [Call number: NX456.5 .M64 C49 2011]

Childs, Erica Chito. Fade to Black and White: Interracial Images in Popular Culture. Lanham, MD: Rowman & Littlefield Publishers, 2009. [Call number: E185.62 .C54 2009]

Clear, Rebecca D. Jazz on Film and Video in the Library of Congress. Washington, DC: Library of Congress, 1993. [Call number: ML128.J3 C553 1993]

Connelly, Marc and Thomas Cripps, ed.The Green Pastures. Madison, WI: University of Wisconsin Press, 1979. [Call number: PN1997 .G693 1979]

Connelly, Marc and Vincent Long, ed. Green Pastures, First Delisle edition. London, England: Delisle, 1963. Donated by Michael T. Martin. [Call number: PS3505 .O546 G7 1963]

Cooper, Rose, Cassandra Henry, and Kamál Larsuel-Ulbricht. 3 Black Chicks Review Flicks: A Film and Video Guide with Flava!. New York, NY: Amistad, 2002. Donated by Michael T. Martin. [Call number: PN1995]

Cripps, Thomas. Black Film as Genre. Bloomington, IN: Indiana University Press, 1978. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 C68 1979]

Cripps, Thomas. Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. New York, NY: Oxford University Press, 1993. [Call number: PN1995.9 .N4 C687 1993]

Cripps, Thomas. Slow Fade to Black: The Negro in American Film, 1900-1942. New York, NY: Oxford University Press, 1993. [Call number: PN1995.9 .N4 C7 1993]

Currey, James and Pierre Barrot, ed. Nollywood: The Video Phenomenon in Nigeria, Revised English edition. Bloomington, IN: Indiana University Press, 2008. [Call number: PN1992.934 .N6]

Dandridge, Dorothy and Earl Conrad. Everything and Nothing: The Dorothy Dandridge Tragedy. New York, NY: Harper Collins, 1970. [Call number: PN2287 .D256]

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D


Daniels, Therese and Jane Gerson, eds. The Colour Black: Black Images in British Television. London, England: BFI, 1989. [Call number: PN1992.8.A34 C64 1989]

Dash, Julie. Daughters of the Dust. New York, NY: Dutton, 1997. Donated by Michael T. Martin. [Call number: PS3554 .A823]

Dash, Julie, Toni Cade Bambara, and bell hooks. Daughters of the Dust: The Making of an African American Woman's Film. New York, NY: New Press, 1992. [Call number: PN1997 .D325 1992]

Dates, Jannette L. and William Barlow, eds. Split Image: African Americans in the Mass Media. Washington, DC: Howard University Press, 1990. Donated by Michael T. Martin. [Call number: P94.5.A372 U574 1990]

Davis, Belva with Vicki Haddock. Never in My Wildest Dreams: A Black Woman's Life in Journalism. Sausalito, CA: Polipoint Press, 2010. [Call number: PN4874.D3565 A3 2011]

Davis, Ossie and Ruby Dee. With Ossie and Ruby: In this Life Together. New York, NY: William Morrow, 1998. [Call number: PN2285 .D28 1998]

Davis, Peter and Kenneth Goodall, ed. A Viewer's Guide for In Darkest Hollywood: Cinema and Apartheid. Bloomington, IN: African Studies Program, Indiana University, 1995. Donated by Michael T. Martin. [Call number: PN1993.5 S6 V54 1995]

De, Jeferson. Dogma feijoada: o cinema negro brasileiro. Sa~o Paulo, (BR): Cultura, Fundac¸a~o Padre Anchieta, 2005. [Call number: PN1995.9.N4 D4 2005]

Dee, Ruby. My One Good Nerve: Rhythms, Rhymes, Reasons. Chicago, IL: Third World Press, 1987. [Call number: PS3554.E2525 M9 1987]

Delson, Susan. Dudley Murphy, Hollywood Wild Card. Minneapolis, MN: University of Minnesota Press, 2006. [Call number: PN1998.3 .M873 D45 2006]

Denby, David, ed. Film 72/73: An Anthology by the National Society of Film Critics. Indianapolis, Ind.: Bobbs-Merrill, 1973. Donated by Michael T. Martin. [Call number: PN1995 .N27 F48 1974]

Diakité, Madubuko Robinson. A Piece of the Glory: A Survey of African-American Filmmakers and Their Struggles with Popular American Myths. Lund (Sweden): English International Association of Lund, Sweden, 1992. [Call number: PN1995.9 .N4 1992]

Diawara, Manthia. African Cinema: Politics & Culture. Bloomington, IN: Indiana University Press, 1992. [Call number: PN1993.5 .A35 D5 1992]

Diawara, Manthia. African Film: New Forms of Aesthetics and Politics, English edition. New York, NY: Prestel, 2010. [Call number: PN1993.5 .A35 D53 2010]

Diawara, Manthia, ed. Black American Cinema. New York, NY: Routledge, 1993. [Call number: PN1995.9 .N4 B45 1993]

Diaz, Marta and Joel del Rio. Los cien caminos del cine Cubano. Havana (Cuba): Ediciones ICAIC, 2010. [Call number: PN1993.5.C8 D534 2010]

Dixon, Thomas. The Clansman: An Historical Romance of the Ku Klux Klan. New York, NY: Grosset & Dunlap, 1905. Donated by Michael T. Martin. [Call number: PS3507.I93 C57 1905]

Doctorow, E. L. Ragtime. New York, NY: Random House, [1975]. Donated by Michael T. Martin. [Call number: PS3554.O3 R14 1976]

Donalson, Melvin Burke. Black Directors in Hollywood. Austin, TX: University of Texas Press, 2003. [Call number: PN1995.9 .N4 D66 2003]

Douglas, Tony. Jackie Wilson: The Man, the Music, the Mob. Edinburgh, Scotland: Mainstream, 2001. [Call number: ML420 .W5527 2001]

Dunn, Stephane. "Baad Bitches" and Sassy Supermamas: Black Power Action. Urbana: University of Illinois Press, 2008. [Call number: PN1995.9.N4 D86 2008]

Dunning, Stefanie K. Queer in Black and White: Interraciality, Same Sex Desire, and Contemporary African American Culture. Bloomington, IN: Indiana University Press, 2009. [Call number: PS153.N5 D86 2009]

Durkin, Hannah. Josephine Baker and Katherine Dunham: Dances in Literature and Cinema. Urbana, Illinois: University of Illinois Press, 2019. [Call number: GV1785.A1 D87 2019]

Dwyer, Kevin. Beyond Casablanca: M.A. Tazi and the Adventure of Moroccan Cinema. Bloomington, IN: Indiana University Press, 2004. [Call number: PN1998.3 .T24 D99 2004]

Dyson, Michael Eric. Reflecting Black: African-American Cultural Criticism. Minneapolis, MN: University of Minnesota Press, 1993. [Call number: E185.86 .D95 1993]

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E


Edwards, Gregory J.The Book of the International Film Poster. London, England: Tiger Books International, 1988. [Call number: PN1995.9 .P5 E39 1988]

Ehrlich, Scott. Paul Robeson. New York, NY: Chelsea House Publishers, 1988. [Call number: E185.97.R63 E35 1988]

Ely, Melvin Patrick. The Adventures of Amos 'n' Andy: A Social History of an American Phenomenon. Charlottesville: University Press of Virginia, 2001. Donated by Michael T. Martin. [Call number: PN1991.77.A6 E49 1991]

Entman, Robert M. and Andrew Rojecki. The Black Image in the White Mind: Media and Race in America. Chicago, IL: University of Chicago Press, 2000. Donated by Michael T. Martin. [Call number: P94.5 .A372 U55 2000]

Everett, Anna. Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949. Durham, NC: Duke University Press, 2001. [Call number: PN1995.9 .N4 E94 2001]

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F


Fenner, Angelica. Race Under Reconstruction in German Cinema: Robert Stemmle's Toxi. Buffalo, NY: University of Toronto Press, 2011. [Call number: PN1997 .T6355 F467 2011]

Field, Allyson Nadia. Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity. Durham, NC: Duke University Press, 2015. [Call number: PN1995.9.N4 F54 2015]

Fischer, Lucy, ed. Imitation of Life. New Brunswick, NJ: Rutgers University Press, 1991. [Call number: PN1997.I4553 I45 1991]

Fisher, Celeste A. Black on Black: Urban Youth Films and the Multicultural Audience. Lanham, MD: Scarecrow Press, 2006. Donated by Michael T. Martin. [Call number: PN1995.9.N4 F57 2006]

Fiske, John. Media Matters: Race and Gender in U.S. Politics, 2nd edition. New York, NY: Routledge, 2016. Donated by Michael T. Martin. [Call number: E169.O4 F574 1996]

Fiss, Owen M. The Civil Rights Injunction. Bloomington, IN: Indiana University Press, 1978. [Call number: KF9014 .F5 1978]

Foster, Gwendolyn Audrey. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale, IL: Southern Illinois University Press, 1997. [Call number: PN1998.2 .F672 1997]

Fredrik, Nathalie and Auriel Douglas. History of the Academy Award Winners. New York, NY: Ace Books, 1973. [Call number: PN1993.5 .U6 1973]

[Freiman, Ray], ed. The Samuel Goldwyn Motion Picture Production of Porgy and Bess. New York, NY: Random House, 1959. Donated by Bill Aukenbrock. [Call number: PN1997 .G57 1959]

French, Warren G., ed. The South and Film. Jackson, MS: University Press of Mississippi, 1981. Donated by Michael T. Martin. [Call number: PN1995.9.S66 S6]

Freydberg, Elizabeth Amelia Hadley. Bessie Coleman, the Brownskin Lady Bird. New York, NY: Garland Publishing, Inc., 1994. [Call number: TL540.C646 F74 1994]

Friedman, James, ed. and Mark Quigley., auth. UCLA Film and Television Archive Presents Hallmark Hall of Fame, 50, the First Fifty Years. Los Angeles, CA: UCLA Film and Television Archive, 2001. [Call number: PN1992.77 .H29 2001]

Fuchs, Cynthia, ed. Spike Lee: Interviews. "Jackson, MS Jackson": University Press of Mississippi, 2002. [Call number: PN1998.3 .L44 A5 2002]

Fuller, Charles. A Soldier's Play: A Play. New York, NY: Hill and Wang, 1982. Donated by Michael T. Martin. [Call number: PS3556.U367 S6 1982]

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G


Gabbard, Krin. Black Magic: White Hollywood and African American Culture. New Brunswick, NJ: Rutgers University Press, 2004. [Call number: PN1995.9 .N4 G33 2004]

Gabbard, Krin. Jammin' at the Margins: Jazz and the American Cinema. Chicago, IL: University of Chicago Press, 1996. Donated by Michael T. Martin. [Call number: ML2075 .G33 1996]

Gadjigo, Samba with translation by Moustapha Diop. Ousmane Sembene: The Making of a Militant Artist. Bloomington, IN: Indiana University Press, 2010. [Call number: PQ3989.S46 Z6613 2010]

Gadson, Grace. Directory of African Other People of Color: Filmmakers. Hollywood, CA: Industry Roundtable, 1994. Donated by Grace Gadson. [Call number: AY2001 .G33 1994]

Garritano, Carmela. African Video Movies and Global Desires: A Ghanaian History. Athens, OH: Center for International Studies Ohio University, 2013. [Call number: PN1992.934.G48 G37 2013]

Geduld, Harry M. The Birth of the Talkies: From Edison to Jolson. Bloomington, IN: Indiana University Press, 1975. [Call number: PN1995.7 .G36 1975]

Geduld, Harry M., ed. Film makers on Film Making: Statements on Their Art by Thirty Directors. Bloomington, IN: Indiana University Press, 1967. [Call number: PN1995.9 .P7 G28 1967]

Geltzer, Jeremy. Race Films: 50 Years of Independent African American Cinema. [Burbank?]: Hollywood Press, 2014. [Call number: PN1995.9.N4 G45 2014]

Geoffrion, Charles A., ed. Africa: A Study Guide to Better Understanding. Bloomington, IN: Bureau of Public Discussion and African Studies Program, Indiana University, 1970. [Call number: DT19.8 .G344]

George, Nelson. Blackface: Reflections on African-Americans and the Movies. New York, NY: Harper Collins, 1994. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 G46 2002]

Gevinson, Alan, ed. Within Our Gates: Ethnicity in American Feature Films, 1911-1960. Berkeley, CA: University of California Press, 1997. [Call number: PN1995.9 .M56 1997]

Giannetti, Louis D. Understanding Movies. Englewood Cliffs, NJ: Prentice-Hall, 1972. [Call number: PN1994 .G47 1972]

Giannetti, Louis D. Understanding Movies, 3rd edition. Englewood Cliffs, NJ: Prentice-Hall, 1982. Includes extensive highlighting. Donated by Michael T. Martin. [Call number: PN1994 .G47 1982]

Gibson-Hudson, Gloria J. The Cultural Significance of Music to the Black Independent Filmmaker. Unknown: Unknown, 1987. Gloria Gibson-Hudson's dissertation. [Call number: GR999 .G449 1987]

Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Durham, NC: Duke University Press, 2016. [Call number: PN1995.9.N4 G55 2016]

Givanni, June, ed. Remote Control: Dilemmas of Black Intervention in British Film & TV. London, England: British Film Institute, 1995. [Call number: PN1993.5 .G7 B55 1992]

Givanni, June, ed. Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image. London: British Film Insitute, 2000. [Call number: PN1993.5 .A35 S955 2000]

"Grant, Barry Keith. "Schirmer Encyclopedia of Film. Detroit, MI: Schirmer Reference, 2007. Donated by Michael T. Martin. [Call number: PN1993.45 .S35 2007]

Gray, John. Blacks in Film and Television: A Pan-African Bibliography of Films, Filmmakers, and Performers. New York, NY: Greenwood Press, 1990. [Call number: Z5784.M9 G72 1990]

Green, J. Ronald. Straight Lick: The Cinema of Oscar Micheaux. Bloomington, IN: Indiana University Press, 2000. [Call number: PN1998.3 .M494 G74 2000]

Green, J. Ronald. With a Crooked Stick: The Films of Oscar Micheaux. Bloomington, IN: Indiana University Press, 2004. [Call number: PN1998.3 .M494 G76 2004]

Greenlee, Sam. Baghdad Blues: A Novel. [United States]: Natiki Nailah Books, 2007, 1976. [Call number: PS3557 .R396 B33 1991]

Griffith, D. W. D.W. Griffith Papers, 1897-1954: A Guide to the Microfilm Edition. Sanford, NC: Microfilming Corporation of America, 1982. [Call number: PN1998.A3 G7334 1982]

Grupenhoff, Richard. The Black Valentino: The Stage and Screen Career of Lorenzo Tucker. Metuchen, NJ: Scarecrow Press, 1988. [Call number: PN2287.T78 G78 1988]

Guerrero, Ed. Framing Blackness: The African American Image in Film. Philadelphia, PA: Temple University Press, 1993. [Call number: PN1995.9 .N4 G84 1993]

Gugler, Joseph. African Film: Re-Imagining a Continent. Bloomington, IN: Indiana University Press, 2003. [Call number: PN1993.5 .A35 G77 2003]

Gugler, Joseph. Ten Arab Filmmakers: Political Dissent and Social Critique. Bloomington, IN: Indiana University Press, 2015. [Call number: PN1993.5.A65 T48 2015]

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Hachten, William A. Muffled Drums: The News Media in Africa. [Ames]: Iowa State University Press, 1971. Donated by Michael T. Martin. [Call number: P92.A4 H117]

Halliwell, Leslie. The Filmgoer's Companion, 4th American edition., rev. and enl. New York, NY: Avon, 1975. [Call number: PN1993.45 .H17 1975]

Ham, Debra Newman, ed. The African-American Mosaic: A Library of Congress Resource Guide for the Study of Black History and Culture. Washington, DC: Library of Congress, 1993. [Call number: Z1361.N39 L47 1993]

Hansberry, Lorraine and Robert Nemiroff, ed. A Raisin in the Sun: The Unfilmed Original Screenplay. New York, NY: Plume, 1992. Donated by Mary Huelsbeck. [Call number: PN1997]

Hanson, Patricia King, ed. American Film Institute Catalog. Berkeley, CA: University of California Press, 1993. [Call number: PN1998 .A57 v.F3, pt.1]

Harnan, Terry and illustrated by Russell Hoover, Russell. Gordon Parks: Black Photographer and Film Maker.. Champaign, Ill.: Garrad Pub. Co., 1972. Donated by Michael T. Martin. [Call number: TR140 .P35]

Harris, Erich Leon. African-American Screenwriters Now: Conversations with Hollywood's Black Pack. Los Angeles, CA: Silman-James Press, 1996. [Call number: PN1996 .H34 1996]

Harrow, Kenneth W.Postcolonial African Cinema: From Political Engagement to Postmodernism. Bloomington, IN: Indiana University Press, 2007. [Call number: PN1993.5 .A35 H35 2007]

Hawk, Beverly, G. Africa's Media Image. New York, NY: Praeger, 1992. Donated by Michael T. Martin. [Call number: P96.A372 U535 1992]

Haynes, Jonathan, ed. Nigerian Video Films. Athens: Ohio University Center for International Studies, 2000. Donated by Michael T. Martin. [Call number: PN1992.934.N6 N55 2000]

Head, Sydney W., ed. Broadcasting in Africa: A Continental Survey of Radio and Television. Philadelphia, PA: Temple University Press, [1974]. Donated by Michael T. Martin. [Call number: HE8689.9.A35 H43]

Heider, Don. White News: Why Local News Programs Don't Cover People of Color. Mahwah, New Jersey: Lawrence Erlbaum Associates, Publishers, 2000. Donated by Michael T. Martin. [Call number: PN4888 .M56 H45 2000]

Heider, Karl G., ed. Images of the South: constructing a regional culture on Film and Video. Anthens: University of Georgia Press, 1993. Donated by Michael T. Martin. [Call number: GN2 .S727 no.26]

Heitner, Devorah. Black Power TV. Durham, NC: Duke University Press, 2013. [Call number: PN1992.8.A34 H45 2013]

Higgins, Mary Ellen. Hollywood's Africa after 1994. Athens, OH: Ohio University Press, 2012. [Call number: PN1995.9.A43 H65 2012]

Hill, George H. and Sylvia Saverson Hill. Blacks on Television: A Selectively Annotated Bibliography. Metuchen, NJ: Scarecrow Press, 1985. Donated by Michael T. Martin. [Call number: Z1361.N39 H53 1985]

Hjort, Mette and Eva Jørholt, eds. African Cinema and Human Rights. Bloomington, IN: Indiana University Press, 2019. Donated by Michael T. Martin. [Call number: PN1995.9.H83 A37 2019]

Holiday, Billie with William Dufty. Lady Sings the Blues. New York, NY: Avon, 1976. [Call number: ML420 .H58 1976]

hooks, bell. Outlaw Culture: Resisting Representations. New York, NY: Routledge, 1994. [Call number: E185.86 .H737 1994]

hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. New York, NY: Routledge, 1996. Donated by Michael T. Martin. [Call number: PN1995.9 .S6]

Hudson, Herman C., ed., with assistance of Audrey Levasseur. Blacks in the Media. Bloomington, IN: Indiana University, 1992. [Call number: P94.5 .B55 B53 1992]

Hudson, Herman C., ed., with assistance of Audrey Levasseur. A Celebration of Black Women. Bloomington, IN: Indiana University, 1991. [Call number: HQ1421 .C45 1991]

Hudson, Herman C., ed., with assistance of Audrey Levasseur. Spike Lee and commentaries on his work. Bloomington, IN: Dept. of Afro-American Studies, Indiana University, 1992. [Call number: PN1998.3 .L44 S64 1992]

Hudson, Herman, ed. How to Make It in College: A Survival Course: A Project of the Afro-American Arts Institute, Indiana University, Bloomington, Indiana. Bloomington, IN: Afro-American Arts Institute, Indiana University, 1977. [Call number: LB2343.3 .H68 1977]

Hunt, Darnell M. Screening the Los Angeles "Riots": Race, Seeing, and Resistance. New York, NY: Cambridge University Press, 1997. Donated by Michael T. Martin. [Call number: PN4888.T4 H86 1997]

Huss, Roy and Norman Silverstein. The Film Experience: Elements of Motion Picture Art. New York, NY: Dell Pub. Co., 1968. [Call number: PN1995.9 .P7 1968]

Hutton, Barbara. Robben Island: Symbol of Resistance. Johannesburg (South Africa): SACHED Books, 1994. [Call number: HV9850.5 .Z8 1994]

Hyatt, Marshall, ed. and compiler. The Afro-American Cinematic Experience: An Annotated Bibliography & Filmography. Wilmington, DE: Scholarly Resources Inc., 1983. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 H9 1983]

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I


Indiana University Audio Visual CenterWomen's Films: A Critical Guide.. Bloomington, IN: Indiana University Audio-Visual Center, 1975. [Call number: HQ1181.U5 W64 1975]

Iverem, Esther. We gotta Have It: Twenty Years of Seeing Black at the Movies, 1986-2006. New York, NY: Thunder's Mouth Press, 2007. Donated by Michael T. Martin. [Call number: PN1995.9.N4 I94 2007]

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J


Jackson, Anthony W., ed. Black Families and the Medium of Television. Ann Arbor, MI: Bush Program in Child Development and Social Policy, 1982. Donated by Michael T. Martin. [Call number: E185.86 .B5253 1982]

 

Jackson, Eugene W. and Gwendolyn Sides St. Julian. Eugene "Pineapple" Jackson: His Own Story. Jefferson, NC: McFarland & Co. Inc., 1999. [Call number: PN2287.J26 A3 1999]

Jackson, Robert. Fade in, Crossroads: A History of the Southern Cinema. New York, NY: Oxford University Press, 2017. [Call number: PN1993.5.U7775 J33 2017]

Jacobs, Lewis. The Movies as Medium. New York, NY: Farrar, Straus, and Giroux, 1970. [Call number: PN1994 .J174 1970]

James, Darius. That's Blaxploitation!: Roots of the Baadasssss 'Tude (Rated X by an All-Whyte Jury). New York, NY: St. Martin's Griffin, 1995. Donated by Michael T. Martin. [Call number: PN1995.9.N4 J35 1995]

Jerome, V. J. The Negro in Hollywood Films. New York, NY: Masses & Mainstream, [1950]. Donated by Michael T. Martin. [Call number: PN1995.9.N4 J4]

Johnson, Helen A. Black America on Stage. New York, NY: Graduate Center of the City University of New York, 1978. [Call number: PN2286 .J64 1978]

Jones, G. William. Black Cinema Treasures: Lost and Found. Denton, TX: University of North Texas Press, 1991. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 J66 1991]

Jones, G. William. Black Cinema Treasures: Lost and Found. Denton, TX: University of North Texas, 1997. [Call number: PN1995.9 .N4 J66 1991]

Jones, James Earl and Penelope Niven. James Earl Jones: Voices and Silences. New York, NY: Simon & Schuster, 1993. [Call number: PN2287.J589 A3 1993]

Jones, Janna. The Southern Movie Palace: Rise, Fall, and Resurrection. Gainesville, FL: University Press of Florida, 2003. [Call number: NA6846.U6 J66 2003]

Jordan, A. Van. The Cineaste: Poems. New York, NY: W. W. Norton & Company, 2013. [Call number: PS3610.O654 C56 2013]

Jordan, A. Van. The Homesteader. Greensboro, NC: Unicorn Press, 2013. [Call number: PS3610.O654 H35 2013]

Jun Xing and Lane Ryo Hirabayashi. Reversing the Lens: Ethnicity, Race, Gender, and Sexuality through Film. Boulder, CO: University Press of Colorado, 2003. [Call number: PN1995.9 .M56 X56 2003]

Justesen, Benjamin R. Broken brotherhood: The rise and fall of the National Afro-American Council. Carbondale, IL: Southern Illinois University Press, 2008. [Call number: E185.61 .J88 2008]

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K


Kael, Pauline. Deeper into Movies. Boston, MA: Little, Brown and Co., 1973. [Call number: PN1995 .K22 1973]

Kael, Pauline. I Lost It at the Movies. Boston, MA: Little, Brown and Co., 1965. [Call number: PN1994 .K13 1965]

Kamalipour, Yahya R. and Theresa Carilli, ed. Cultural Diversity and the U.S. Media. Albany, NY: State University of New York Press, 1998. Donated by Michael T. Martin. [Call number: P94.5.M552 U628 1998]

Kapsis, Robert E., ed. Charles Burnett: Interviews. Jackson, MS: University Press of Mississippi, 2011. [Call number: PN1998.3 .B865]

Kardish, Laurence. Reel Plastic Magic: A History of Films and Filmmaking in America. Boston, MA: Little, Brown and Co., 1972. [Call number: PN1993.5 .U6 K18 1972]

Kauffmann, Stanley. Figures of Light: Film Criticism and Comment.. New York, NY: Harper & Row, 1971. [Call number: PN1995 .K218 1971]

Kauffmann, Stanley. A World on Film: Criticism and Comment. New York, NY: Dell Pub. Co., 1966. [Call number: PN1995 .K23 1966]

Keeling, Kara. The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense. Durham, NC: Duke University Press, 2007. [Call number: PN1995.9.L48 K44 2007]

Kern-Foxworth, Marilyn. Aunt Jemima, Uncle Ben, and Rastus: Blacks in Advertising, Yesterday, Today, and Tomorrow. Westport, CT: Praeger, 1994. Donated by Michael T. Martin. [Call number: HF5813.U6 K47 1994]

Kersey, Paul and Frank Ochoa. Hollywood in Blackface: Black Images in Film from 'Night of the Living Dead' to 'Thor'. [United States]: unidentified, 2011. Donated by Michael T. Martin. [Call number: PN1995.9.N4 K47 2011]

Keyser, Lester J. and André H. Ruszkowski. The Cinema of Sidney Poitier: The Black Man's Changing Role on the American Screen. San Diego: A. S. Barnes, 1980. Donated by Michael T. Martin. [Call number: PN2287.P57 K4]

Kisch, John and Edward Mapp. A Separate Cinema: Fifty Years of Black-Cast Posters. New York, NY: Farrar, Straus, and Giroux, 1992. Donated and inscribed by Edward Mapp. [Call number: PN1995.9 .P5 K57 1992]

Klotman, Phyllis Rauch. Frame by Frame: A Black Filmography. Bloomington, IN: Indiana University Press, 1979. [Call number: PN1995.9 .N4 K57 1979]

Klotman, Phyllis Rauch. Frame by Frame: A Black Filmography. Bloomington, IN: Indiana University Press, 1997. [Call number: PN1995.9 .N4 K57 1997a]

Klotman, Phyllis Rauch. Screenplays of the African American Experience. Bloomington, IN: Indiana University Press, 1991. [Call number: PN1997 .A1 1991]

Klotman, Phyllis Rauch and Gloria J. Gibson. Frame by Frame II: A Filmography of the African American Image, 1978-1994. Bloomington, IN: Indiana University Press, 1997. [Call number: PN1995.9 .N4 K58 1997]

Klotman, Phyllis Rauch and Janet K. Cutler, eds. Struggles for Representation: African American Documentary Film and Video. Bloomington, IN: Indiana University Press, 1999. [Call number: PN1995.9 .N4 S77 1999]

Klotman, Phyllis Rauch and Wilmer H. Baatz, eds. The Black Family and the Black Woman: A Bibliography. Bloomington, IN: Indiana University Libraries, 1972. [Call number: Z1361 .N39 I37]

Knight, Arthur. Disintegrating the Musical: Black Performance and American Musical Film. Durham, NC: Duke University Press, 2002. Donated by AAAMC. [Call number: PN1995.9 .N4 K59 2002]

Konigsberg, Ira. The Complete Film Dictionary. New York, NY: Meridian Book, 1987. [Call number: PN1993.45 .K66 1987]

Krafsur, Richard P., ed. American Film Institute Catalog. Berkeley, CA: University of California Press, 1971. [Call number: PN1998 .A57 v.F6, pt.2]

Krafsur, Richard P., ed. American Film Institute Catalog. Berkeley, CA: University of California Press, 1976. [Call number: PN1998 .A57 v.F6, pt.1]

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L


Lacy, Dan Mabry. The White Use of Blacks in America: 350 Years of Law and Violence, Attitudes and Etiquette, Politics and Change. New York, NY: McGraw-Hill, 1973. [Call number: E185.61 .L2 1973]

Landau, Paul S. and Deborah D. Kaspin, ed. Images and Empires: Visuality in Colonial and Postcolonial Africa. Berkeley, CA: University of California Press, 2002. Donated by Michael T. Martin. [Call number: GN645 .I43 2002]

Landay, Eileen. Black Film Stars. New York, NY: Drake Publishers, 1973. Donated by Michael T. Martin. [Call number: PN1998 .A2 L25]

Lang, Robert, ed. and Griffith, D.W. The Birth of a Nation. New Brunswick, NJ: Rutgers University Press, 1994. [Call number: PN1997.B553 B57 1994]

Langley, Travis and Alex Simmons, eds. Black Panther Psychology: Hidden Kingdoms. New York, NY: Sterling, 2019. [Call number: PN1995.9.N4 B53 2019]

Lawrence, Novotny and Gerald R. Butters, Jr., eds. Beyond Blaxploitation. Detroit, MI: Wayne State University Press, 2016. [Call number: PN1995.9.N4 B49 2016]

Leab, Daniel J. From Sambo to Superspade: The Black Experience in Motion Pictures. Boston, MA: Houghton Mifflin, 1975. [Call number: PN1995.9.N3 L43]

Lee, Spike with Lisa Jones. Do the Right Thing: A Spike Lee Joint. New York, NY: Fireside, 1989. Donated by Mary Huelsbeck. [Call number: PN1997 .D63]

Lee, Spike with Lisa Jones. Mo' Better Blues. New York, NY: Simon & Schuster, 1990. [Call number: PN1997 .M6353 L44 1990]

Lee, Spike with Ralph Wiley. By Any Means Necessary: The Trials and Tribulations of the Making of Malcolm X. New York, NY: Hyperion, 1992. Donated by Michael T. Martin. [Call number: PN1997 .M256633 L4 1992]

Lee, Spike. Spike Lee's Gotta Have It: Inside Guerrilla Filmmaking. New York, NY: Simon & Schuster, 1987. Donated by Michael T. Martin. [Call number: PN1997.S4725 L44 1987]

Leonard, David J. Screens Fade to Black: Contemporary African American Cinema. Westport, CT: Praeger, 2006. [Call number: PN1995.9 .N4 L46 2006]

Levine, Toby Kleban, ed., et al. The Africans: Viewer's Guide. Washington, D.C.: Greater Washington Educational Telecommunications Associations, Inc., 1985. Donated by Michael T. Martin. [Call number: DT14 .A53 1985]

Lisa Gibbs, ed. National Alliance for Media Arts and Culture Member Directory. Oakland, CA: The Alliance, 1992. [Call number: NX22 .N38]

Logan, Fern. The Artist Portrait Series: Images of Contemporary African American Artists. Carbondale, IL: Southern Illinois University Press, 2001. Uncorrected page proofs. [Call number: TR681.A7 L635 2001]

Lommel, Cookie. African Americans in Film and Television. Philadelphia, PA: Chelsea House Publishers, 2003. [Call number: PN1995.9 .N4 L66 2003]

Lommel, Cookie. Black Filmmakers. Philadelphia, PA: Chelsea House Publishers, 2002. Donated by Michael T. Martin. [Call number: PN1995.9.N4 L66 2002]

Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York, NY: Oxford University Press, 1993. [Call number: ML1711 .L67 1993]

Loughney, Katharine. Film, Television, and Video Periodicals: A Comprehensive Annotated List. New York, NY: Garland Publishing, Inc., 1991. [Call number: Z5784.M9 L68 1991]

Louw, Leon and Frances Kendall. After Apartheid: The Solution for South Africa. San Francisco, CA: ICS Press, 1987. [Call number: HN801.A8 L68 1987]

Lupack, Barbara Tepa. Literary Adaptations in Black American Cinema: from Micheaux to Morrison. Rochester, NY: University of Rochester Press, 2002. [Call number: PN1995.9 .N4 L87 2002]

Lupack, Barbara Tepa. Literary Adaptations in Black American Cinema: from Micheaux to Morrison, Expanded edition. Rochester, NY: University of Rochester Press, 2010. Donated by the author. [Call number: PN1995.9 .N4 L87 2010]

Lupack, Barbara Tepa. Richard E. Norman and Race Filmmaking. Bloomington, IN: Indiana University Press, 2014. [Call number: PN1998.3.N66 L87 2013]

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M


Maddux, Rachel, Stirling Silliphant, and Neil D. Isaacs. Fiction into Film: A Walk in the Spring Rain. Knoxville, TN: University of Tennessee Press, 1972. [Call number: PN1995.9 .P6 M33]

Maltin, Leonard, ed. The Whole Film Sourcebook. New York, NY: New American Library, 1983. [Call number: PN1993.5 .U6 W47 1983]

Manatu, Norma. African American Women and Sexuality in the Cinema. Jefferson, NC: McFarland & Co. Inc., 2003. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 M28 2003]

Manigault-Bryant, LeRhonda S., Tamura A. Lomax, and Carol B. Duncan, eds. Womanist and Black feminist Reponses to Tyler Perry's Productions. New York, NY: Palgrave Macmillan, 2014. [Call number: PN1998.3.P4575 W66 2014]

Maple, Jessie. How to Become a Union Camerawoman: Film-Videotape. New York, NY: LJ Film Productions, 1977. [Call number: TR849.M36 A33 1977]

Maple, Jessie with E. Danielle Butler. The Maple Crew: A Memoir. Unknown: Unknown, 2019. [Call number: PN1998.3.M375 A3]

Mapp, Edward. African Americans and the Oscar: Seven Decades of Struggle and Achievement. Lanham, MD: Scarecrow Press, 2003. [Call number: PN1995.9 .N4 M29 2003]

Mapp, Edward. African Americans and the Oscar: Decades of Struggle and Achievement, 2nd edition. Lanham, MD: Scarecrow Press, 2008. [Call number: PN1995.9 .N4 M29 2008]

Mapp, Edward. Directory of Blacks in the Performing Arts. Metuchen, NJ: Scarecrow Press, 1978. Donated by Michael T. Martin. [Call number: PN1590.B53 M3]

Mapp, Edward. Directory of Blacks in the Performing Arts, 2nd edition. Metuchen, NJ: Scarecrow Press, 1990. [Call number: PN1590.B53 M3 1990]

March, James G., ed. Handbook of Organizations. Chicago, IL: Rand McNally & Co., 1965. [Call number: HM131 .M32]

Marcorelles, Louis with Nicole Rouzet-Albagli and translated by Isabel Quigly. Living Cinema: New Directions in Contemporary Film-Making. New York, NY: Praeger, 1973. [Call number: PN1995 .M3212 1973]

Martin, Jane Jackson, Walter Adams, and Harold Weaver. Africa Projected: A Critical Filmography. Waltham, Mass.: African Studies Association, Brandeis University, 1972. Donated by Michael T. Martin. [Call number: DT4 .M382]

Martin, Michael T., ed. Cinemas of the Black Diaspora: Diversity, Dependence, and Oppositionality. Detroit, MI: Wayne State University Press, 1995. [Call number: PN1995.9 .N4 C58 1995]

Martin, Michael T., ed. New Latin American Cinema. Detroit, MI: Wayne State University Press, 1997. Vol. 1: Theory, Practices, and Transcontinental Articulations. Donated by Michael Martin. [Call number: PN1993.5 .L3 N48 1997 v.1]

Martin, Michael T., ed. The Birth of a Nation: The Cinematic Past in the Present. Bloomington, IN: Indiana University Press, 2019. Donated by Michael T. Martin. [Call number: PN1997.B55 B57 2019]

Martin, Michael T., David C. Wall, and Marilyn Yaquinto, eds. Race and the Revolutionary Impulse in The Spook Who Sat by the Door. Bloomington, IN: Indiana University Press, [2018]. Donated by Michael T. Martin. [Call number: PN1997.S653 R33 2018]

Martin, Michael T. and Marilyn Yaquinto, eds. Redress for Historical Injustices in the United States: On Reparations for Slavery, Jim Crow, and Their Legacies. Durham, NC: Duke University Press, 2007. [Call number: E185.89.R45 R43 2007]

Martin, Phyllis M. and Patrick O'Meara, eds. Africa. Bloomington, IN: Indiana University Press, 1977. [Call number: DT3 .A23 1977]

Massood, Paula J. Black City Cinema: African American Urban Experiences in Film. Philadelphia, PA: Temple University Press, 2003. [Call number: PN1995.9 .N4 M33 2003]

Massood, Paula J. Making a Promised Land: Harlem in Twentieth-Century Photography and Film. New Brunswick, NJ: Rutgers University Press, 2013. [Call number: F128.68.H3 M37 2013]

Massood, Paula J., ed. The Spike Lee Reader. Philadelphia, PA: Temple University Press, 2008. [Call number: PN1998.L44 S65 2008]

Maurice, Alice. The Cinema and Its Shadow: Race and Technology in Early Cinema. Minneapolis, MN: University of Minneapolis Press, 2013. [Call number: PN1995.9.M56 M38 2013]

Maynard, Richard A., [ed]. The Black Man on Film: Racial Stereotyping. Rochelle Park, N.J.: Hayden Book Co., [1974]. Donated by Michael T. Martin. [Call number: PN1995.9.N3 M46]

McCann, Bob. Encyclopedia of African American Actresses in Film and Television. Jefferson, N.C.: McFarland & Co., 2010. [Call number: PN1995.9.N4 M345 2010]

McClelland, Doug. Blackface to Blacklist: Al Jolson, Larry Parks, and The Jolson Story. Lanham, MD: Scarecrow Press, 1998. [Call number: PN1997.J5583 M33 1987]

McCluskey, Audrey T., ed. The Devil you Dance With: Film Culture in the New South Africa. Urbana: University of Illinois Press, 2009. [Call number: PN1993.5 .S6]

McCluskey, Audrey T., ed. Frame by Frame III: A Filmography of the African Diasporan Image, 1994-2004. Bloomington, IN: Indiana University Press, 2007. [Call number: PN1995.9 .N4F73 2007]

McCluskey, Audrey T., ed. Imaging Blackness: Race and Racial Representation in Film Poster Art. Bloomington, IN: Indiana University Press, 2007. Donated and signed by Audrey T. McCluskey. [Call number: PN1995.9 .P5 I45 2007]

McCluskey, Audrey T., ed. Richard Pryor: The Life and Legacy of a "Crazy" Black Man. Bloomington, IN: Indiana University Press, 2008. [Call number: PN2287.P77 R53 2008]

McCullers, Carson. The Member of the Wedding. New York, NY: New Directions, 1951. Donated by Michael T. Martin. [Call number: PS3525.A1866 M5 1951]

McGilligan, Patrick. Oscar Micheaux, the Great and Only: The Life of America's First Black Filmmaker. New York, NY: Harper Collins, 2007. [Call number: PN1998.3.M494 M34 2007]

Means Coleman, Robin R. African American Viewers and the Black Situation Comedy: Situating Racial Humor. New York, NY: Garland Publishing, Inc., 2012, 2000. Donated by Michael T. Martin. [Call number: PN1992.8.A34 M43 1998]

Mekas, Jonas. Movie Journal: The Rise of the New American Cinema, 1959-1971. New York, NY: Collier Books, 1972. [Call number: PN1993.5 .U6 M35 1972]

Miller, Jade L. Nollywood Central. London, England: BFI Publishing, 2016. [Call number: PN1993.5.N55 .M55 2016]

Miller, Judith von D. Boran Women. Hanover, N. H.: Distributed by Wheelock Educational Resources, 1976. Donated by Michael T. Martin. [Call number: DT434.E2 F3 v. 3]

Miller, Norman N. Harambee ("Pull Together"). Hanover, N. H.: Distributed by Wheelock Educational Resources, 1976. Donated by Michael T. Martin. [Call number: DT434.E2 F3 v. 5]

Miller, Norman N. Kenya Boran II: Education for What?. Hanover, N. H.: Distributed by Wheelock Educational Resources, 1976. Donated by Michael T. Martin. [Call number: DT434.E2 F3 v. 2]

Mills, Brandale. Black Women Filmmakers and Black Love on Screen. New York, NY: Routledge, 2019. [Call number: PN1995.9.N4 M556]

Missouri, Montre´ Aza. Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity. Basingstoke: Palgrave Macmillan, 2015. [Call number: PN1995.9.N4 M57 2015]

Modisane, Litheko. South Africa's Renegade Reels: The Making and Public Lives of Black-Centered Films. New York, NY: Palgrave Macmillan, 2013. [Call number: PN1993.5.S6 M63 2013]

Moon, Spencer. Reel Black Talk: A Sourcebook of 50 American Filmmakers. Westport, CT: Greenwood Press, 1997. [Call number: PN1998.2 .M66 1997]

Morella, Joe ; Epstein, Edward Z. Rebels: The Rebel Hero in Films. Secaucus, NJ: Citadel Press, 1973. [Call number: PN1995 .9.A47]

Morrison, Toni and Claudia Brodsky Lacour, eds. Birth of a Nation'hood: Gaze, Script, and Spectacle in the O.J. Simpson Case. New York, NY: Pantheon Books, 1997. Donated by Michael T. Martin. [Call number: KF224.S485 B57 1997]

Munden, Kenneth W., ed. American Film Institute Catalog. Berkeley, CA: University of California Press, 1971. [Call number: PN1998 .A57 v.F2,pt.1]

Murray, Timothy. Like a Film: Ideological Fantasy on Screen, Camera, and Canvas. London, England: Routledge, 1993. [Call number: PN1995.25 .M87 1993]

Musser, Charles. Edison Motion Pictures, 1890-1900: An Annotated Filmography. Washington, DC: Smithsonian Institution Press, 1997. [Call number: PN1995.9 .D6 M88 1997]

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N


Nadia Field, Allyson, Jan-Christopher Horak, and Jacqueline Najuma Stewart, eds.L.A. Rebellion: Creating a New Black Cinema. Oakland, CA: University of California Press, 2015. [Call number: PN1995.9.N4 L24 2015]

Nama, Adilifu. Black Space: Imagining Race in Science Fiction Film. Austin, TX: University of Texas Press, 2008. [Call number: PN1995.9 .S26]

Nash, Jennifer C. The Black Body in Ecstasy: Reading Race, Reading Pornography. Durham, NC: Duke University Press, 2014. [Call number: PN1995.9.N4 N36 2014]

"Nederveen Pieterse, Jan. "White on Black: Images of Africa and Blacks in Western Popular Culture. New Haven, CT: Yale University Press, 1992. [Call number: NX653.A35 N413 1992]

Nelson, Thomas Allen. Kubrick, Inside a Film Artist's Maze. Bloomington, IN: Indiana University Press, 1982. [Call number: PN1998.A3 K743 1982]

Noble, Gil. Black Is the Color of My TV Tube. Secaucus, NJ: L. Stuart, 1981. Donated by Michael T. Martin. [Call number: PN1992.4 .N6 A33]

Noble, Peter. The Negro in Films. New York, NY: Arno Press, 1970. Donated by Michael T. Martin. [Call number: PN1995.9 .N3 N73 1970]

Noewll-Smith, Geoffrey, ed. Oxford History of World Cinema. New York, NY: Oxford University Press, 1997. Donated by Michael Martin [Call number: PN1993.5 .A1]

Norman, Floyd. Animated Life: A Lifetime of Tips, Tricks, and Stories from a Disney Legend. Burlington, MA: Focal Press, 2003. [Call number: NC1766.U52 N65 2013]

Null, Gary. Black Hollywood: The Negro in Motion Pictures. Secaucus, NJ: Citadel Press, 1975. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 N8 1975]

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O


O’Neill, Eugene. The Emperor Jones, Dover Thrift edition. Mineola, NY: Dover Publications, 1997. [Call number: PS3529.N5 E5 1997]

Ogle, Patrick, compiler. Facets African-American Video Guide. Chicago, IL: Facets Mutlimedia, Inc./Academy Chicago Publishers, 1994. [Call number: PN1995.9 .N4 O44 1994]

Ohrn, Steven G. and Rebecca Riley, compilers. Africa from Real to Reel: An African Filmography. Waltham, Mass.: African Studies Association, 1976. Donated by Michael T. Martin. [Call number: DT19.8.Z9 O38]

Okihiro, Gary Y., ed. Ethnic Studies. New York, NY: Markus Wiener, 1989. [Call number: E184.A1 E843 1989]

Okome, Onookome and Jonathan Haynes. Cinema and Social Change in West Africa. Jos (Nigeria): Nigerian Film Corporation, 1995. [Call number: PN1993.5 .A358 O56 1995]

Onimode, Bade. A Political Economy of the African Crisis. London ; Atlantic Highlands, NJ: Zed Books with the Institute for African Alternatives, 1998. [Call number: HC800 .O55 1988]

Orgill, Roxane. Mahalia: A Life in Gospel Music. Cambridge, MA: Candlewick Press, 2002. [Call number: ML3930.J2 O74 2002]

Ovalle, Priscilla Peña. Dance and the Hollywood Latina: Race, Sex, and Stardom. New Brunswick, NJ: Rutgers University Press, 2011. [Call number: PN1995.9.H47 O93 2011]

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P


Palmer, Leslie. Lena Horne. New York, NY: Chelsea House Publishers, 1989. [Call number: ML420.H658 P34 1989]

Parish, James Robert. Black Action Films: Plots, Critiques, Casts, and Credits for 235 Theatrical and Made-for-Television Releases. Jefferson, NC: McFarland, 1989. Donated by Michael T. Martin. [Call number: PN1995.9.N4 P37 1989]

Parish, James Robert. Today's Black Hollywood. New York, NY: Pinnacle Books, 1995. [Call number: PN1590.B53 P28 1995]

Parker, Janice. Great African Americans in Film. New York, NY: Crabtree Pub. Co., 1997. [Call number: PN1998.2 .P37 1997]

Parker, Nate, ed. The Birth of a Nation: Nat Turner and the Making of the Movement. New York, NY: 37 Ink/Atria, 2016. [Call number: PN1997.2.B57 B57 2016]

Parks, Gordon. Gordon Parks: A Poet and his Camera. New York, NY: Viking Press, 1969. Donated by Michael T. Martin. [Call number: TR654.P3 1969]

Patterson, Lindsay, compiler. Black Films and Film-makers: A Comprehensive Anthology from Stereotype to Superhero. New York, NY: Dodd, Mead, & Company, 1975. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 B5]

Pendergast, Tom and Sara Pendergast, eds. International Dictionary of Films and Filmmakers, 4th edition. Detroit, MI: St. James Press, 2000. "Includes four volumes: 1. Films -- 2. Directors -- 3. Actors and actresses -- 4. Writers and production artists. ISBN for individual vols.: 1558624503 (v. l); 1558624511 (v. 2); 155862452X (v. 3); 1558624538 (v. 4)" [Call number: PN1997.8 .I58 2000]

Petty, Miriam J. Stealing the Show: African American Performers and Audiences in 1930s Hollywood. Oakland, CA: University of California Press, 2016. [Call number: PN1995.9.N4 P45 2016]

Pfaff, Françoise. The Cinema of Ousmane Sembene: A Pioneer of African Film. Westport, CT: Greenwood Press, 1984. [Call number: PN1998.A3 S4256 1984]

Pfaff, Françoise, ed. Focus on African Films. Bloomington, IN: Indiana University Press, 2004. [Call number: PN1993.5 .A35 F63 2004]

Pierson, John. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. New York, NY: Miramax Books/Hyperion, 1996. Donated by Michael T. Martin. [Call number: PN1998.2 .P56 1996]

Pines, Jim, ed. Black and White in Colour: Black People in British Television since 1936. London, England: BFI Pub., 1992. [Call number: PN1992.8.A34 B57 1992]

Plantz, Connie. Bessie Coleman: First Black Woman Pilot. Berkeley Heights, NJ: Enslow Publishers, 2001. [Call number: TL540 .C646 2001]

Plastow, Jane, guest ed., and Martin Banham, James Gibbs, Femi Osofisan, eds. African Theatre. Women. Bloomington, IN: Indiana University Press, 2002. [Call number: PN2974 .A38 2002]

Poitier, Sidney. The Measure of a Man: A Spiritual Autobiography. San Francisco, CA: HarperSanFrancisco, 2000. [Call number: PN2287.P57 A3 2000]

Polonsky, Abraham, and John Schultheiss, ed. Odds against Tomorrow: The Critical Edition. Northridge: Center for Telecommunication Studies, California State University, 1999. Donated by Michael T. Martin. [Call number: PN1997.O27 P65 1999]

Poole, Edwin E. and Susan T. Poole. Collecting Movie Posters: An Illustrated Reference Guide to Movie Art - Posters, Press Kits, and Lobby Cards. Jefferson, NC: McFarland & Co. Inc., 1997. [Call number: PN1995.9 .P5]

Pounds, Michael C. Race in Space: The Representation of Ethnicity in Star Trek and Star Trek, The Next Generation. Lanham, MD: Scarecrow Press, 1999. [Call number: PN1992.77 .S73 P68 1999]

Powrie, Phil, et al. Carmen on Film: A Cultural History. Bloomington, IN: Indiana University Press, 2007. [Call number: PN1995.9 .C334]

Pramaggiore, Maria. Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000. Albany, NY: State University of New York Press, 2007. [Call number: PN1993.5 .I85 P73 2007]

Pride, Armistead Scott, and Lyle, Jack, ed. The Black American and the Press. Los Angeles, CA: Ward Ritchie Press, 1968. Donated by Michael T. Martin. [Call number: E185.615 .B628 1968]

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R


Ragan, David. Who's Who in Hollywood, 1900-1976. New Rochelle, NY: Arlington House, 1976. [Call number: PN1998.A2 R3 1976]

Rebhorn, Marlette. Screening America: Using Hollywood Films to Teach History. New York, NY: Peter Lang, 1988. [Call number: PN1995.9.H5 R43 1988]

Rediger, Pat. Great African Americans in Entertainment. New York, NY: Crabtree Pub. Co., 1996. [Call number: PN2286 .R44 1996]

Regester, Charlene B. African American Actresses: The Struggle for Visibility, 1900-1960. Bloomington, IN: Indiana University Press, 2010. [Call number: PN1995.9 .N4 R42 2010]

Rehrauer, George. Cinema Booklist. Metuchen, NJ: Scarecrow Press, 1972. [Call number: Z5784.M9 R42 1972]

Reich, Elizabeth. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema. New Brunswick, NJ: Rutgers University Press, 2016. [Call number: PN1995.9.S64 R46 2016]

Reid, Mark A. Black Lenses, Black Voices: African American Film Now. Lanham, MD: Rowman & Littlefield, 2005. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 R43 2005]

Reid, Mark A. PostNegritude Visual and Literary Culture. Albany, NY: State University of New York Press, 1997. [Call number: P94.5 .B55 R45 1997]

Reid, Mark A. Redefining Black Film. Berkeley, CA: University of California Press, 1993. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 R45 1993]

Reynolds, Andrew, ed. Election '94 South Africa: The Campaigns, Results and Future Prospects. New York, NY: St. Martin's Press, 1994. [Call number: JQ1992 .E54 1994]

Rhines, Jesse Algeron. Black Film, White Money. New Brunswick, NJ: Rutgers University Press, 1996. [Call number: PN1995.9 .N4 R52 1996]

Richards, Larry. African American Films through 1959: A Comprehensive, Illustrated Filmography. Jefferson, NC: McFarland & Co. Inc., 1998. [Call number: PN1995.9 .N4 R54 2005]

Robinson, Cedric J. Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film before World War II. Chapel Hill, NC: University of North Carolina Press, 2007. [Call number: PN1995.9.N4 R58 2007]

Robinson, William R., ed. with assistance from George Garrett. Man and the Movies. Baltimore, MD: Penguin Books, 1969. [Call number: PN1995 .M266 1969]

Roffman, Peter and Jim Purdy. The Hollywood Social Problem Film: Madness, Despair, and Politics from the Depression to the Fifties, 1st Midland edition. Bloomington, IN: Indiana University Press, 1981. [Call number: PN1995 .R63 1981]

Rogin, Michael Paul. Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. Berkeley, CA: University of California Press, 1996. [Call number: PN1995.9 .N4 R64 1996]

Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, NC: Duke University Press, 1996. Donated by Michael T. Martin. [Call number: GN347 . R55 1996]

Rubin, Bernard, ed. Small Voices & Great Trumpets: Minorities & the Media. New York, NY: Praeger, 1980. Donated by Michael T. Martin. [Call number: HN90.M3 S6]

Ruelle, Catherine, compiler. Afriques 50: Singularites d'un cinema pluriel. Paris, France: L'Harmattan, 2005. Donated by editor, Catherine Ruelle. [Call number: PN1993.5.A35 A37]

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S


Sadoul, Georges, and translated and edited by Morris, Peter. Dictionary of Film Makers. Berkeley, CA: University of California Press, 1972. [Call number: PN1998.A2 S122 1972]

Sadoul, Georges, and translated and edited by Morris, Peter. Dictionary of Films. Berkeley, CA: University of California Press, 1972. [Call number: PN1993.45 .S3213 1972]

Sampson, Henry T. Blacks in Black and White: A Source Book on Black Films, 2nd edition. Metuchen, NJ: Scarecrow Press, 1995. [Call number: PN1995.9 .N4 S2 1995]

Sampson, Henry T. Blacks in Blackface. Lanham, MD: Scarecrow Press, 2014. [Call number: ML1711 .S25 2014, v. 1-2]

Sampson, Henry T. That's Enough, Folks: Black Images in Animated Cartoons, 1900-1960. Lanham, MD: Scarecrow Press, 1998. [Call number: NC1766.5 .A35 S26 1998]

Sanderson, Elizabeth L. Spike Lee's Bamboozled and Blackface in American Culture. Jefferson, NC: McFarland & Co. Inc., 2019. [Call number: PN1997.B2435 S26 2019]

Schmidt, Nancy J. Sub-Saharan African Films and Filmmakers, 1987-1992: An Annotated Bibliograghy. New Jersey: Hans Zell Publishers, 1994. Donated by Michael T. Martin. [Call number: Z5784.M9 S33 1994]

Scott, Ellen C. Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era. New Brunswick, NJ: Rutgers University Press, [2015]. [Call number: PN1995.9.N4 S35 2015]

"Seewood, Andre´. "Screenwriting into Film: Forgotten Methods and New Possibilities, Rev. & expanded ed [Philadelphia, PA]: Xlibris Corporation, 2006. [Call number: PN1996 .S3826 2006]

Seewood, André. Slave Cinema: The Crisis of the African-American in Film. "[Philadelphia]": Xlibris Corp., 2008. [Call number: PN1995.9.N4 S44 2008]

Sembène, Ousmane, and translated by Clive Wake. Xala. Westport, Conn.: Lawrence Hill & Co., 1983, 1974. Donated by Michael T. Martin. [Call number: PQ3989.O94 X1513 1976]

Serfontein, J. H. P. Brotherhood of Power: An Exposé of the Secret Afrikaner Broederbond. Bloomington, IN: Indiana University Press, 1978. [Call number: DT888 .S47 1978]

Shiri, Keith, ed. and compiler. Directory of African Film-makers and Films. Westport, CT: Greenwood Press, 1992. Donated by Michael T. Martin. [Call number: PN1993.5.A35 S48 1992]

Sieving, Christopher. Soul Searching: Black-Themed Cinema from the March on Washington to the Rise of Blaxploitation. Middletown, CT: Wesleyan University Press, 2011. [Call number: PN1995.9.N4 S54 2011]

Signorielli, Nancy, ed. and compiler. Role Portrayal and Stereotyping on Television: An Annotated Bibliography of Studies Relating to Women, Minorities…. Westport, CT: Greenwood Press, 1985. Donated by Michael T. Martin. [Call number: Z5784.M9 S53 1985]

Sims, Yvonne D. Women of Blaxploitation: How the Black Action Film Heroine Changed American Popular Culture. Jefferson, NC: McFarland & Co. Inc., 2006. [Call number: PN1995.9.N4 S56 2006]

Sims-Wood, Janet L., compiler. The Progress of Afro-American Women: A Selected Bibliography and Resource Guide. Westport, CT: Greenwood Press, 1980. [Call number: Z1361.N39 S52 1980]

Smith, Eric Ledell. Bert Williams: A Biography of the Pioneer Black Comedian. Jefferson, NC: McFarland & Co. Inc., 1992. Donated by Michael T. Martin. [Call number: PN2287.W46 S55 1992]

Smith, Jessie Carney, ed. Encyclopedia of African American Popular Culture. Santa Barbara, CA: Greenwood Press, 2011. Donated by Michael T. Martin. [Call number: E184.5 .S65 2011]

Smith, Jessie Carney, ed. Images of Blacks in American Culture: A Reference Guide to Information Sources. New York, NY: Greenwood Press, 1988. [Call number: NX652.A37 I43 1988]

Smith, Mona Z. Becoming Something: The Story of Canada Lee. New York, NY: Faber and Faber, 2004. [Call number: PN2287.L2898 S65 2004]

Smith, Valerie, ed. Representing Blackness: Issues in Film and Video. New Brunswick, NJ: Rutgers University Press, 1997. [Call number: PN1995.9 .N4 R47 1997]

Smitherman-Donaldson, Geneva and Teun A. van Dijk, ed. Discourse and Discrimination. Detroit, MI: Wayne State University Press, 1988. Donated by Michael T. Martin. [Call number: P120.R32 D57 1988]

Snead, James A, and Colin MacCabe and Cornel West, eds. White Screens, Black Images: Hollywood from the Dark Side. New York, NY: Routledge, 1994. [Call number: PN1995.9 .N4 S65 1994]

Snorgrass, J. William and Gloria T. Woody, compilers. Blacks and Media: A Selected, Annotated Bibliography, 1962-1982. Tallahassee: University of Presses of Florida, 1985. Donated by Michael T. Martin. [Call number: Z5633.A37 S56 1985]

Solomon, Maynard. Marxism and Art: Essays Classic and Contemporary. Detroit, MI: Wayne State University Press, 1979. Donated by Michael T. Martin. [Call number: HX521 .S63 1979]

Southall, Geneva H. Blind Tom, the Black Pianist-Composer (1849-1908): Continually Enslaved. Lanham, MD: Scarecrow Press, 1999. [Call number: ML417.B3 S68 1999]

Speicale, Alessandra. 13. Festival cinema africano: 24-30 marzo 2003. Milano (Italy): Il castoro, 2003. Donated by Peter Davis. Language note: Text in Italian, English, and French. [Call number: PN1993.5 .A35 2003]

Stam, Robert. Film Theory: An Introduction. Malden, MA: Blackwell, 2000. [Call number: PN1995 .S6739 2000]

Stein, M[eyer] L. Blacks in Communications: Journalism, Public Relations, and Advertising. New York, NY: J. Messner, [1972]. Donated by Michael T. Martin. [Call number: E185.8 .S789]

Stewart, Jacqueline Najuma. Migrating to the Movies: Cinema and Black Urban Modernity. Berkeley, CA: University of California Press, 2005. [Call number: PN1995.9 .N4 S74 2005]

Stewart, Jeffrey C., ed. Paul Robeson: Artist and Citizen. New Brunswick, NJ: Rutgers University Press, 1998. [Call number: E185.97.R63 P37 1998]

Strickland, Williams, and Cheryll Y. Greene, ed. and compiler. Malcolm X, Make It Plain. New York, NY: Viking, 1994. Inscribed to Phyllis Klotman by Cheryll Greene. [Call number: BP223.Z8 L5776 1994]

Stubbs, Mary Frances. Lorraine Hansberry and Lillian Hellman: A Comparison of Social and Political Issues in Their Plays and Screen Adaptations. Unknown: Unknown, 1990. Inscribed by the author to Phyllis Klotman. [Call number: PN4000 .S929 1990]

Suskin, Steven. A Must See!: Brilliant Broadway Artwork. San Francisco, CA: Chronicle Books, 2004. [Call number: PN2099 .U6 2004]

Svitil, Torene, ed. and Thomas Cripps. Close Up in Black: African-American Film Posters from the Academy of Motion Picture Arts and Sciences. Los Angeles, CA: Academy of Motion Picture Arts and Sciences, 2002. [Call number: PN1995.9 .P5]

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T


Thackway, Melissa. Africa Shoots Back: Alternative Perspectives in Sub-Saharan Francophone African Film. Bloomington, IN: Indiana University Press, 2003. [Call number: PN1993.5 .A35 T48 2003]

Thompson, Katrina Daly. Zimbabwe's Cinematic Arts: Language, Power, Identity. Bloomington, IN: Indiana University Press, 2013. [Call number: PN1993.5 .Z55 T48 2013]

Thompson, Tracy, compiler. Blacks & American Film/Video. Los Angeles, CA: American Film Institute, Education Services, 1987. Donated by Michael T. Martin. [Call number: PN1995.9.N4 B57 1987]

Thomson, David. The New Biographical Dictionary of Film, 4th edition. New York, NY: Alfred A. Knopf, 2002. [Call number: PN1998.2 .T49 2002]

Tidyman, Ernest. Shaft. London, England: Bloomsbury Publishing Plc., 2000. Donated by Michael T. Martin. [Call number: PS3570.I3 S5 2000]

Tinney, James S. and Justine J. Rector, eds. Issues and Trends in Afro-American Journalism. Lanham, MD: University Press of America, 1980. Donated by Michael T. Martin. [Call number: PN4882.5 .I8]

Tomaselli, Keyan G. Appropriating Images: The Semiotics of Visual Representation. Brooklyn, NY: Smyrna Press, 1996. [Call number: GN347 .T65 1996]

Tomaselli, Keyan G. The Cinema of Apartheid: Race and Class in South African Film. New York, NY: Smyrna/Lake View Press, 1988. Donated by Michael T. Martin. [Call number: PN1993.5 .S6 T58 1988]

Torres, Sasha, ed. Living Color: Race and Television in the United States. Durham, NC: Duke University Press, 1998. Donated by Michael T. Martin. [Call number: PN1992.8 .M54 L58 1998]

Tracy, Kathleen. Morgan Freeman: A Biography. Fort Lee, NJ: Barricade Books, 2006. [Call number: PN2287 .F744]

Traylor, Eleanor, Alphonso A. Frost, and Leota S. Lawrence. Broad Sympathy: The Howard University Oral Traditions Reader. Needham Heights, MA: Simon & Schuster Custom Pub., 1997. [Call number: GR73 .T73 1997]

Tsika, Noah A. Nollywood Stars: Media and Migration in West Africa and the Diaspora. Bloomington, IN: Indiana University Press, 2015. [Call number: PN1993.5.N55 T85 2015]

Tucker, Patrick and Christine Ozanne. The Actor's Survival Handbook. New York, NY: Routledge, 2005. [Call number: PN2061 .T83 2005]

Turner, Patricia A. Ceramic Uncles & Celluloid Mammies: Black Images and Their Influence on Culture. New York, NY: Anchor Books, 1994. Donated by Michael T. Martin. [Call number: P94.5.A372 U578 1994]

Tyler, Parker. Magic and Myth of the Movies. New York, NY: Simon & Schuster, 1970. [Call number: PN1993.5 .U6 T98 1970]

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U


Ukadike, Nwachukwu Frank. Black African Cinema. Berkeley, CA: University of California Press, 1994. [Call number: PN1993.5.A35 U4 1994]

Ukadike, Nwachukwu Frank. Questioning African Cinema: Conversations with Filmmakers. Minneapolis, MN: University of Minnesota Press, 2002. [Call number: PN1993.5 .A35 U45 2002]

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V


Van Peebles, Melvin. The Making of Sweet Sweetback's Baadasssss Song, New edition., collector's edition. Ann Arbor, MI: Neo Press, 1994. One copy signed by Melvin Van Peebles. [Call number: PN1997.S9 V3 1994]

Van Peebles, Melvin. The Making of Sweet Sweetback's Baadasssss Song. Edinburgh, Scotland: Payback Press, 1996. Donated by Michael T. Martin. [Call number: PN1997.S9 V3 1996]

Van Peebles, Melvin. Panther: A Novel. New York, NY: Thunder's Mouth Press, 1995. Donated by Michael T. Martin. [Call number: PS3572.A73 P36 1995]

Van Peebles, Melvin. Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto. New York, NY: Thunder's Mouth Press, 2004. [Call number: PN1997 .S9 2004]

Van Peebles, Mario, Ula Y. Taylor, and J. Tarika Lewis. Panther: A Pictorial History of the Black Panthers and the Story Behind the Film. New York, NY: Newmarket Press, 1995. Donated by Michael T. Martin. [Call number: E185.615 .V36 1995]

Vetinde, Lifongo and Amadou T. Fofana, eds.Ousmane Sembène and the Politics of Culture. Lanham, MD: Lexington Books, 2015. [Call number: PQ3989.S46 Z78 2014]

Vieyra, Paulin Soumanou. Le cine´ma africain. Paris, France: Pre´sence africaine, 1975. [Call number: PN1993.5.A35 V48]

Vieyra, Paulin Soumanou. Sembène Ousmane cinéaste: Première période, 1962-1971. Paris, France: Présece Africaine, 2012. [Call number: PN1998.A3 O917]

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W


Walker, David, Andrew J. Rausch, and Chris Watson. Reflections on Blaxploitation: Actors and Directors Speak. Lanham, MD: Scarecrow Press, Inc., 2009. [Call number: PN1995.9.N4 R46 2009]

Wall, David C. and Michael T. Martin, eds. The Politics & Poetics of Black Film: Nothing but a Man. Bloomington, IN: Indiana University Press, 2015. [Call number: PN1997.N5678 P85 2015]

Watkins, Mel. On the Real Side. New York, NY: Simon & Schuster, 1994. [Call number: PN6231.N5 W38 1994]

Watkins, Mel. Stepin Fetchit: The Life & Times of Lincoln Perry. New York, NY: Pantheon Books, 2005. Donated by Mary Huelsbeck. [Call number: PN2287 .F425]

Watkins, S. Craig. Representing: Hip Hop Culture and the Production of Black Cinema. Chicago, IL: University of Chicago Press, 1998. Donated by Michael T. Martin. [Call number: PN1995.9 .N4 W38 1998]

Watson, Steven. The Harlem Renaissance: Hub of African-American Culture, 1920-1930. New York, NY: Pantheon Books, 1995. [Call number: NX512.3 .N5]

Watts, Jill. Hattie McDaniel: Black Ambition, White Hollywood. New York, NY: Amistad, 2005. Donated by Mary Huelsbeck. [Call number: PN2287 .M165]

Weisenfeld, Judith. Hollywood be Thy Name: African American Religion in American Film, 1929-1949. Berkeley, CA: University of California PressUniversity of California Press, 2007. [Call number: PN1995.9 .N4 W45 2007]

Welbon, Yvonne, and Alexandra Juhasz, eds. Sisters in the Life: A History of out African American Lesbian Media-Making. Durham, NC: Duke University Press, 2018. [Call number: PN1995.9.L48 S578]

Wiegman, Robyn. American Anatomies: Theorizing Race and Gender. Durham, NC: Duke University Press, 1995. [Call number: E185.615 .W48 1995]

Wiley, David. Southern Africa films: A Selected Listing of 16mm Socio-Political Films in Circulation in 1976. Madison, WI: African Studies Program, Univ. of Wisconsin-Madison, 1976. Donated by Michael T. Martin. [Call number: DT746 .U54 1976]

Wiley, David with Robert Cancel. Africa on Film and Videotape, 1960-1981: A Compendium of Reviews. East Lansing, Mich.: African Studies Center, Michigan State University 1982, 1982. Donated by Michael T. Martin. [Call number: DT19.8.Z9 W54 1982]

Williams, John A. and Dennis A. Williams. If I Stop I'll Die: The Comedy and Tragedy of Richard Pryor. New York, NY: Thunder's Mouth Press, 1991. Donated by Michael T. Martin. [Call number: PN2287.P77 W54 1991]

Willis, Sharon. High Contrast: Race and Gender in Contemporary Hollywood Film. Durham, NC: Duke University Press, 1997. Donated by Michael T. Martin. [Call number: PN1995.9.S47 W56 1997]

Willis, Sharon. The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation. Minneapolis, MN: University of Minnesota Press, [2015]. Donated by Michael T. Martin. [Call number: PN2287.P57 W55 2015]

Wilson, Jay Jay and Ron Wallace. Black Wallstreet: A Lost Dream. Tulsa, OK: Black Wallstreet Pub., 1996. [Call number: PS3573.I456958 B58 1992]

Wolfe III, Ernie. Extreme Canvas: Hand-Painted Movie Posters from Ghana. New York, NY: Dilettante Press, 2000. [Call number: PN1995.9 .P5 E98 2000]

Woll, Allen L. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. New York, NY: Garland, 1987. Donated by Michael T. Martin. [Call number: Z5784.M9 W65 1987]

Wollen, Peter. Signs and Meaning in the Cinema, New and enlarged 3rd edition. Bloomington, IN: Indiana University Press, 1972. [Call number: PN1995 .W86 1969]

Worth, Sol ; Adair, John. Through Navajo Eyes: An Exploration in Film Communication and Anthropology. Bloomington, IN: Indiana University Press, 1972. First two pages have separated from binding; spine is sun bleached. [Call number: E99.N3 W93]

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Y


Yanow, Scott. Jazz on Film: The Complete Story of the Musicians & Music Onscreen. San Francisco, CA: Backbeat Books, 2004. [Call number: ML3508.Y36 J4]

Yaquinto, Marilyn. Pump 'em Full of Lead: A Look at Gangsters on Film. New York, NY: Twayne, 1998. Donated by Michael T. Martin. [Call number: PN1995.9.G3 Y37 1998]

Yearwood, Gladstone Lloyd. Black Film as a Signifying Practice: Cinema, Narration and the African American Aesthetic Tradition. Trenton, NJ: Africa World Press, 2000. [Call number: PN1995.9 .N4 Y43 1998]

Yette, Samuel F. The Choice: The Issue of Black Survival in America. New York, NY: Berkley, 1972. [Call number: E185.615 .Y4 1972]

Young, Jr., Earl James. The Life and Work of Oscar Micheaux: Pioneer Black Author and Filmmaker, 1884-1951. San Francisco, CA: KMT Publications, 2003. [Call number: PN1998.3 .M494]

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Z


Zone, Ray, ed. and compiler. Writer of Light: The Cinematography of Vittorio Storaro, ASC, AIC: A Collection from the Pages of American Cinematographer Magazine and the ASC…. Hollywood, CA: ASC Press, 2001. [Call number: TR891 .S767 2001]

Zook, Kristal Brent. Color by Fox: The Fox Network and the Revolution in Black Television. New York, NY: Oxford University Press, 1999. Donated by Michael T. Martin. [Call number: PN1992.8.A34 Z66 1999]

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No Primary Author


Africa Film & TV (Annual). Harare, Zimbabwe: Z Promotions, 2002. Donated by Michael T. Martin. [Call number: PN1993 .S68 2002]

Africa Film & TV (Annual). Harare, Zimbabwe: Z Promotions, 2003. Donated by Michael T. Martin. [Call number: PN1993 .S68 2003]

Africa Film & TV (Annual). Harare, Zimbabwe: Z Promotions, 2004. Donated by Michael T. Martin. [Call number: PN1993 .S68 2004]

Africa Film & TV (Annual). Harare, Zimbabwe: Z Promotions, 2005. Donated by Michael T. Martin. [Call number: PN1993 .S68 2005]

Africobra: The first twenty years. Atlanta, GA: Nexus Contemporary Art Center, 1990. [Call number: N6538.N5 A353 1990]

Black Images in American Films. Brooklyn, NY: Albee Square Mall, 1991-1992?. [Call number: PN1995.9 .N4 B54]

Black Images in Film: A Photographic Exhibition in the Schomberg Center for Research in Black Culture, April 26-July 9, 1984. New York, NY: New York Public Library, 1984. [Call number: PN1995.9 .N4 B53 1984]

The Chicago Manual of Style, 14th edition. Chicago, IL: University of Chicago Press, 1993. [Call number: Z253 .U69 1993]

Cinémas africains d'aujourd'hui, guide des cinématographies d'Afrique. Paris, France: Editions Karthala, 2007. Dontated by series contributor, Catherine Ruelle. [Call number: PN1993.5.A35 C565]

Eyes on the Prize: America at the Racial Crossroads, 1965-1985: A Viewer's Guide to the Series, Educators edition. Boston, MA: Blackside, 1990. Donated by Michael T. Martin. [Call number: E185.615 .E94 Guide]

Films on Africa: A Descriptive List of Motion Pictures in the Indiana University Audio-Visual Center and the African Studies Research Collection. [Bloomington, Ind.]: African Studies Program, Indiana University, 1982. [Call number: DT6 .I39 1971]

Five for Five: The Films of Spike Lee. New York, NY: Stewart, Tabori & Chang, 1991. Donated by Michael T. Martin. [Call number: PN1998.3.L44 A3 1991]

Focus: Black America Bibliography Series. Bloomington, IN: Indiana University Libraries, 1969. Cover title: Focus: Black America Bibliography Series, Summer 1969 - Supplements 1971-1982. [Call number: Z1361.N39 I39]

Fountainhead Tanz Theatre in association with Cultural Zephyr e.V. presents 6th[-7th] Black International Cinema, Berlin 1991[-1992]. Berlin: Fountainhead Tanz Theatre, 1991-1992. Donated by Michael T. Martin. [Call number: PN 1995.9 .N4 B55 1991]

Guide du cinéma africain, films réalisés en 35 mm de 1989 à 1999. Levallois-Perret, France: Ecrans Nord-Sud, 199. Donated by Catherine Ruelle. [Call number: PN1993.5.A35 G853]

Images of Color: A Guide to Media from and for Asian, Black, Latino and Native American Communities. New York, NY: Media Network/Alternative Media…, 1987. Donated by Michael T. Martin. [Call number: Z1361.E4 I53 1987]

In Touch with the Spirit: Black Religious and Musical Expression in American Cinema. Bloomington, IN: Black Film Center/Archives, Indiana Univesity, 1994. Donated by Michael T. Martin. [Call number: PN1995.9.N4 I5 1994]

Les Journées du cinéma africain et créole, [catalog] / Vues d'Afrique. Montréal, Québec: Vues d'Afrique, 1996. Donated by Michael T. Martin. [Call number: PN1993.4 .J68 1996]

Les Journées du cinéma africain et créole, [catalog] / Vues d'Afrique. Montréal, Québec: Vues d'Afrique, 2002. Donated by Michael T. Martin. [Call number: PN1993.4 .J68 2002]

Mandela: A Film and Historical Companion: A Major Motion Picture Based on Nelson Mandela's Bestselling Autobiography Long walk to Freedom. San Francisco, CA: Chronicle Books, 2013. Donated by Michael T. Martin. [Call number: DT1974 .M293 2013]

The New York Times Film Reviews, 1913-1968. New York, NY: New York Times, 1970. [Call number: PN1995 .N532 1970]

The New York Times Film Reviews, 1969-1970. New York, NY: New York Times, 1971. [Call number: PN1995 .N532 1969-1970]

The New York Times Film Reviews, 1971-1972. New York, NY: New York Times, 1973. [Call number: PN1995 .N532 1971-1972]

The New York Times Film Reviews, 1973-1974. New York, NY: New York Times, 1975. [Call number: PN1995 .N532 1973-1974]

The New York Times Film Reviews, 1975-1976. New York, NY: New York Times, 1977. [Call number: PN1995 .N532 1975-1976]

The New York Times Film Reviews, 1977-1978. New York, NY: New York Times, 1979. [Call number: PN1995 .N532 1977-1978]

The New York Times Film Reviews, 1979-1980. New York, NY: New York Times, 1981. [Call number: PN1995 .N532 1979-1980]

Newsletter of the Afro-American Religious History Group of the American Academy of Religion. Worchester, Mass.: Office of Special Studies, College of the Holy Cross, 1976-. [Call number: BL1 .N55]

Paul Robeson: The Great Forerunner. New York, NY: International Publishers, 1998. [Call number: E185.97.R63 P38 1998]

Transition. 73, The White Issue. Durham, NC: Duke University Press, 1998. [Call number: HT1521 .W458 1998]

Wide Angle: A Quarterly Journal of Film. Athen, Ohio: Ohio University School of Film, 1991. Donated by Michael T. Martin. [Call number: PN1993 .W55 1991, v.13, no.3&4]

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